VISION

Co-Creation with the Invisible

Bunka Engineering Laboratory integrates engineering analysis with cultural insight to design the relationships between environment, place, and people.

Rather than starting from form, we approach architecture through conditions and relationships— invisible forces such as wind, sound, and heat, as well as the memory of the land and everyday human practices.

By carefully reading the resources of each site, we aim to create environments in which the latent values and qualities of a place can be naturally recognized and shared.

APPROACH

Bunka Engineering Design

1 | The Foundation of Bunka Engineering

At the core of Bunka engineering lies a sensibility rooted in the Japanese notion of “mottainai. ” This does not simply mean conserving resources.

It reflects a sense of discomfort toward situations in which resources, environments, memories, and everyday life that already exist are not fully able to express their inherent potential or meaning.

2 | Reading Invisible Potential

We visualize invisible environmental elements such as wind, sound, and heat through engineering methods including fluid dynamics, acoustic analysis, and thermal environment simulations.

This is not to control the environment, but to gain a deeper understanding of the potential that a place already possesses.

3 | Not Ignoring What Cannot Be Quantified

At the same time, we treat elements that are difficult to quantify—such as accumulated history and culture, the ways people use their bodies, rhythms of stay, and sensory relationships with materials—as essential design conditions.

In Bunka engineering, cultural conditions and engineering conditions are regarded as equally important parameters in the design process.

4 | Designing Through the Five Senses

In the design process, we consider how cultural and engineering conditions influence people’s behavior through the five senses, and we shape the relationships among these conditions.

For example, we examine how the way light enters a space, how sound resonates, and how temperature and materials are felt affect how people inhabit and move through a place, and reflect this in our designs.

5 | Creating a “State of Mottainess”

The aim of Bunka Engineering Laboratory is to create a “state of mottainess”—a condition in which what already exists holds value and continues to relate to one another.

An environment where nature, place, and people connect effortlessly, allowing the value of the site to emerge naturally.

This is the kind of environment produced through the Bunka engineering design approach.

PROFILE

Bunka Engineering Laboratory Co., Ltd
First-class registered architect office (Registered by governor of Hyogo prefecture No. 01A04767)

Hiroaki Kitagawa  CEO

First-class registered architect (No.364895)
Executive Director of Hyogo Association of Architectural Firms
Lecturer at Kobe Design University

He got a Master’s degree of Architectural Design at Kyoto Institute of Technology in 2008. He worked at Alhadeff Architects (Milan, Italy) from 2008 to 2013, working on projects in Italy, England, Switzerland etc.
In parallel with working at the architect office, he studied environmental engineering at the Master’s program of Architectural Engineering in Politecnico di Milano from 2009 to 2010.
He established Bunka Engineering Laboratory in 2018.

Soichi Kitagawa   Senior Managing Director

Director of Kwasan Astro-Culture Foundation
Director of NPO Kwasan Astro Network


He graduated from Kyoto University with a Master’s degree of Mechanical Engineering in 1980, joined Kobe Steel Co., Ltd. and engaged in the design and development of rolling mills mainly in the machinery devision, from 2011 worked as General Manager of Kyushu Branch. From 2014 to 2017, had worked as Managing Director for Shinko Techno Co.,Ltd.

Since 2017, he has been a lecturer at Kyoto University, Unit of Synergetic Studies for Space, and has been engaged in Kwasan Astronomical Observatory of the Graduate School of Science.
He participated in the establishment of Bunka Engineering Laboratory in 2018.

 

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STUDIO

1-3-4 Shichinomiya-cho, Hyogo-ku, Kobe, 652-0831, Japan